In ballet, the word adagio does not refer to the music accompanying the dance but rather the type of balletic movement being performed. In general, partnering is an effort by both the male and female dancers to achieve a harmony of movement so that the audience is unaware of the mechanics to enjoy the emotional effects. B. die Mazurka in, Sprung aus einer offenen (II. Position, Sprung aus der V. Position mit Landung in der Absprungposition, beide Knie werden während des Sprungs gebeugt. The non-supporting leg can be held in retiré position, or in attitude, arabesque level or second position. “Epidemic” vs. “Pandemic” vs. “Endemic”: What Do These Terms Mean? Die Bewegungen und Posen im Ballett sind formalisiert, ihre Beherrschung erfordert jahrelanges tägliches Training. The back leg follows making the splits in the air. As a position passé means when a foot is placed near or on the other knee. Literally "whipped". A technically challenging type of turn is pirouette à la seconde, where the dancer spins with the working leg in second position à la hauteur. Any position with parts separated to the side. A position in which the dancer stands on one leg (known as the supporting leg) while the other leg (working leg) is lifted and well turned out with the knee bent at approximately 90-degree angle. Literally "hit" or "strike". It is important to note that when executing an attitude position devant or derrière, the knee should be in line with the ankle, as if the whole leg would be resting on a surface. ): Darcey Bussel: Sabrina Kuffer, Ursula Roth (Illustrationen): Diese Seite wurde zuletzt am 20. Smoothly done in some versions, a quick little leap up in other schools. It can also be performed from one foot, while the other keeps the same position it had before starting the jump (e.g. your glossary or dictionary for publishing at TranslationDirectory.com, American Ballet Theater: Video Dictionary. Translation As adjectives, sauté (masc.) A theatrical work or entertainment in which a choreographer has expressed his ideas in group and solo dancing to a musical accompaniment with appropriate costumes, scenery and lighting. meaning "step of two". Based on the Random House Unabridged Dictionary, © Random House, Inc. 2020. performed in a carefully sustained manner. It consists in the pointing of the foot from a closed position to an open position, with the heel raised and the instep stretched. More stock footage of this model See All. Literally "pricked". division or disunion, especially into mutually opposed parties. In the Russian and French schools this is known as sissonne simple. Literally "jump". on cou-de-pied). Save Comp. The dancer typically begins in fifth position, in plié. A leap which starts as a fouetté and then the second leg also kicks in front. When done à la seconde the feet usually change positions (right left right). The pirouette may return to the starting position or finish in arabesque or attitude positions, or proceed otherwise. "dance of the horse". die Fußspitze des gestreckten Spielbeins „sticht“ in den Boden und übernimmt die Körperlast (wird zum Standbein). Performing steps while on the tips of the toes. Balancé is similar to the "step, ball-change" combination in tap dancing, though the steps in tap are typically counted "one and two" (rather than "one two three" as described above). It involves the use of the entire body. The dancer must first execute a demi plié while extending the leading leg in a tendu position and then stepping up on a tight leg and beginning the turn while simultaneously bringing the other leg up to a raised position while finishing a full 360 degree turn. The dancer springs into the air, landing on the front foot with the back foot raised. For example, tendu devant would mean stretching the foot to the front, or attitude devant would mean executing an attitude to the front. This term is usually used when doing barre exercises such as battement tendu and battement frappé. French word for "balance". petit allégro. 1 decade ago. In all cases, the dancer may or may not return to the initial position, depending on the choreography. The front leg brushes straight into the air, as opposed to performing a dévelopé or "unfolding" motion. The dancer, after a demi-plié, jumps in the air and then lands with the feet in the same position as they started. Literally "under". To pull up, a dancer must lift the ribcage and sternum but keeps the shoulders relaxed and centered over the hips which requires use of the abdominal muscles. B. von vorne nach hinten. A significant part of ballet terminology is in the French language. C'est par ce principe qu'il a soutenu que le perroquet est une très laide bête. See also Pas de deux. something that is improvised or extemporized. It can be done in front (en avant), to the side (à la seconde), or to the back (derrière). Among the commonly seen forms of this step are the jeté For instance, in a ronds de jambe en dedans, starting from first position, the foot (either left or right) would first reach tendu back, then move to tendu to the side and then front, to end again in first position. Also called grand écart en l'air, and referred to in some schools as Saut de chat, or Grand Pas de Chat. Fußposition mit ein- bis mehrmaligem Kreuzen der Füße in der Luft, auch. The coda may serve also as the final number of a particular scene, in which case it is usually given the title Grand coda générale. On the third count, weight transfers back onto the first foot, which remains "en relevé", with the second foot in cou-de-pied again. Pirouettes can be executed with a single or multiple rotations. translators are welcome to register here - Free! (soh TAY) are used to modify the quality of a step: for instance, échappé sauté indicates an échappé performed while jumping. In music, a coda is a passage which brings a movement or a separate piece to a conclusion. For example, the Grand adage of the famous Black Swan Pas de deux from Swan Lake is musically an Andante, while the choreography is Adagio. A term of the Russian school, meaning 'time raised jumped'. Literally "rise". A glissade can be en avant, en arrière, dessous, and dessus; start in fifth position plie, push off back foot moving the front foot foward and bringing the back foot that you pushed off on in the front landing in fifth position. On the second count, the dancer steps onto the second foot (typically on demi pointe), straightening the weight-bearing leg so the first foot, pointed, lifts slightly off the floor. Entrechats are divided into two general classes: the even-numbered entrechats, or those which land on two feet -- deux, quatre, six, huit and dix -- and the odd-numbered entrechats, or those which land on one foot -- trois, cinq, sept and neuf.
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